" it’s the crafting of subtle interactions that stand out on this body of work. At times almost silent and alien in construction, voices — both treated and untreated — subliminally reveal themselves as loosened strands forming a web above the uneven electrical landscape. A warm hum of analog synths bend and contort in the most serene patterns as if naturally expelled from the center of the cosmos. Eerie at times, Korabie also blends microscopic audio slivers through a maze of hiccuped vocal stretches. Often crumpled at the edges, these pulses of articulated eruptions ebb and flow delivering soundtrack inspired layers that will either pull you into its disjointed textural hub or deter you from entering altogether. Either way, Korabie is a sublime collision between organic and inorganic ingredients meant for 3am listening."
Korabie features six new pieces purely composed or created around improvisations during roughly the last two years. The main focus is the exploration of the combination between voice and electronics. On Korabie a dense fabric of sound is brought to existence where voices and vocal manipulations meet drones and microsounds. The music seems to be coming from multiple sources. Dynamic forms emerge and spaces appear from the intimate relationship of the human voice and electronics.